Andrew Darlington
Alien Buddha paperback £12.49
**** (4 stars) review by Steven Hampton
Vaguely referencing Asimov’s classic Nightfall, as a planetary catastrophe becomes a personal apocalypse, In The Time Of The Breaking is about the seemingly colonial Qulan people that live inside huge mobile habitats, like Star Wars walkers, linked as a restless wagon-train. Young hero Culak Va-Saar is the viewpoint-character for first-person storytelling that injects the reader into a rush of narrative, while richly poetic descriptive flair gives many paragraphs and passages a vivid sense of place, with sensory intensity and immediacy, although some of the story’s events might be taking place only in the protagonist’s head-space.
Profoundly affected in their wanderings by the hazardous orbital approach of a super-Moon, the Qulan prep for stormy weather prompted by lunar gravity, while Culak fears for his own sanity due to EM disturbances that confuse and muddle individual thoughts with the memories of ancestors, apparently leaks from Culak’s inheritance of cyber-implants - embedded archival personalities and knowledge store-keepers. These implants provide hoarded familial wisdom and social continuity beyond death, if not exactly an artificial afterlife that is, perhaps, in conflict with reason or any psychological unity.
After pirates attack the Va-Saar vehicle, doomsday anxiety infects rationality and the survival plans of a wholly superstitious culture of guilds. Culak must confront his weird connections to all the voices in his mind, including his own shouldered angel and private demons, as the Qulan struggle to recover their questing spirit, harking back to the Wellsian era’s Things To Come, to endure and overcome crisis-management problems that recall When Worlds Collide.
Into this arena of ‘New Directions In Scientifiction’ (as the novel’s subtitle so audaciously proclaims), author Andrew Darlington scatters the grand mythic aspects of lost civilisations and a Phantom City, and offbeat vibes concerned with a competitive creativity festival, a futuristic artistic Festos, where Culak performs his phonetobardics composition, wisely inferred by its flavoursome taste only, and not explained in great detail. An adventure crashing out from the inner mind’s ‘paradoxical imagination’ to the outer limits of astrophysics, on an endangered world where the Moon looms terrifyingly larger than any of three Suns in the sky.
